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tracking ideas and assertions in contemporary art

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Author Archives: reilleybstall

Posted on May 11, 2013 by reilleybstall
4

At the Ends of the Earth: Spectral Signs and Outer Spaces in Charles Stankievech’s Newest Work

Charles Stankievech’s visual and sound installation, The Soniferous Æther of The Land Beyond The Land Beyond, currently on view at City Hall Art Gallery in Ottawa, was produced during the …

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Posted on April 20, 2013 by reilleybstall
5

Shadow play: Wonder and Workmanship in Pavitra Wickramasinghe’s Time Machine

Shadows have a sinister reputation. They are where dangers lurk – their disquieting darkness shrouding unknown evils and potential predators. They are illusive, ungraspable and always changing position. Like the …

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Posted on March 20, 2013 by reilleybstall
5

The Agony and the Ecstasy of Becoming an Image

We first came into contact with the work of Heather Cassils at Concordia’s Leonard and Bina Ellen Art Gallery. Three photographs documenting her 2012 performance, Becoming an Image, are included …

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Posted on March 13, 2013 by reilleybstall
2

The Devil is in the Details: A Politics of Eradication in the Work of Thomas Demand and Lynne Cohen

  Deciding how much information to include when writing about contemporary art can be a curious struggle. Historical and visual description are certainly necessary, but how much is too much …

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Unauthorized use and/or duplication of this material without express and written permission from this blog’s authors is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Reilley Bishop-Stall and/or Natalie Zayne Bussey of Passenger Art with appropriate and specific direction to the original content.
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